'Whenever it started to look like something, Mark and I would push it in another direction. But it does look as though it has escaped from a giant space aquarium.' Willie Williams and Mark Fisher, the design team behind the new set, talk to the New York Times about how it all came together.
'The world of music is rapidly changing, and new business models are developing fast, but all of this progress is threatened in a world where 95% of music downloads see no reward going to the creator. '
'The work we did in Fez was the most joyous and liberating part of the whole album process. It was what I had always imagined being in U2 would be about: just playing music for the joy of it with no real end in sight.' Larry speaking to Sean O'Hagan of The Observer in the first, great set piece feature to capture the story behind No Line on the Horizon.